Romantic love is just one aspect of love.

Just being out in the world, you see so many things, and every day, you experience so many concepts and different people and their coolness and weirdness. It's a feast of ideas.

People talk about each other in the worst way, especially when you become a product for sale. You're just a thing.

I would be on dates with guys, and the radio would be on, and if the Moody Blues song came on I couldn't concentrate on the guy; I would go straight into the music.

I got married, which opened me up to a whole new way of feeling about life, which in turn reflected on the way I do my art, you know.

The original Heart logo was made back in the real early '70s by Mike Fisher, who I used to be in a relationship with. He was first our manager and then our soundman. When I met him, he was in design school for architecture, so he was always drawing.

We had a mother who could have been called a feminist. That's just how we were raised. Why do you have to go sulk off in some corner because you are a girl? What's the big deal?

I don't know if there is redemption for people like Charlie Rose or Garrison Keillor. An apology helps, but what really matter are deeds.

When you become famous, people can have a powerful yet illusory idea of who you are. You want to live your life, but still, you don't want to let anyone down. I know Ed Vedder, Kurt Cobain, Jerry Cantrell, all those guys felt it. They're smart, real, and all of a sudden, they're put on a pedestal.

What's important to me is love, especially that. What's important to me is growing and evolving. But ultimately, what's important to me is being real and being authentic. I've spent enough time in my life holding poses, playing roles.